Straight out of the cinema, my back registers pain but my brain registers nothing. Maybe I had monumental —brutalist?— expectations and was bound to be disappointed…
Themes are, in this economy, too cheap and too many. In 3:45 hours Corbet manages to not delve into any theme more than the clichés that precede them.
Storyline sets out to have potential in the first half, and then goes nowhere in the second half.
Erzsebet, the only character with depth, only comes…
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The Brutalist 2024
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Babygirl 2024
Was a 3/5 straight out the cinema, but 3.5/5 now.
Doesn’t fall short like Substance did. Brings the message home but doesn’t drill it through your brain with a painfully obvious storyline.
You feel unsure about the main character (finally).Could’ve been 4/5 if Antonio hadn’t fought his gay impulse (aka common sense) for Samuel.
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