A stylistic break from his Kubrick/Haneke remake era and more of a continuation of his Gilliam inspired style used in The Favourite - (that is, taking various stylistic elements that he explored in that film and blowing them up to their logical extreme, almost an exercise in seeing how far he could stylistically push the audience), yet for all the stylistic flourishes in the film, i was very surprised at how none of it felt contrived or show-offish, all of…
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The Fabelmans 2022
The cinematic equivalent of your grandmas jigsaw puzzle collection
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Gregory Crewdson: Brief Encounters 2012
I dont think the world would survive a feature film made by gregory crewdson
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