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P.S. I Love You 2007
It's impressive that in a film with two Irish romantic leads, neither one of them is played by an Irishman.
Also they both sing, and Harry Connick Jr. doesn't.
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Mad Dog Time 1996
Ebert famously detests this, but I found a lot to dig my teeth into here. It's an absurd farce - part existential comedy, part Lynchian surrealism, part loving homage to/parody of the gangster genre - but it somehow works. Each actor pushes the envelope of acting tics in their performances, but it only adds to the delirious style on display here. There's a sense that these characters are only Beckett-esque cyphers, moving around artificial settings and gradually killing each other…
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