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Halloween 1978
1978’s Halloween is the embryo of a slew of slashers that would grip the horror genre by the 80’s. It’s no surprise that this happened (and in some ways still happens today), Halloween is cheap, no special effects or giant set pieces needed here, with a box office turn that held the record for most profitable indie film until ‘99’s The Blair Witch Project.
While not the first slasher like subjectively Texas Chainsaw, or even the first holiday slasher thanks to…
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The House by the Cemetery 1981
Wish I could say I liked this more but unfortunately it was a bit too bloated for my tastes.
Considering I think Fulci is a real master of the genre, and all his classic traits are here; there’s beautiful camera work, gratuitous nudity a fantastic score and a nasty ending but all of it together is just a bit unfocused.
Is it a haunted house story? A zombie film? A nuclear family drama? Aping what it can from The Shining…
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May December 2023
A rich metatextual look at the the true crime genre, hollywoods obsession with it to the most menial degree, and cultures craze to devour it either way.
At its best May December has a hum of absurdity and mystique drummed up by Portman and Moore as they dance around each other and transform along the way. While the characters never progress their layers get pulled back more and more until a fever pitch.
Melton stands out as the only protagonist,…
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The Killer 2023
This review may contain spoilers. I can handle the truth.
Watched this Fincher masterclass twice this weekend.
People much more knowledgable than I have already connected the overall thread of how this can be viewed as a commentary on Fincher himself. Either way I welcome the return to pulpy ultraviolence bookended with wry humor.
Its hard to really talk about this with out spoiling it so I'll just list my favorite aspects of this movie.
Fincher could grapple with the fact that he possibly started the trend of a lot…
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