Phil Rockwell

Phil Rockwell Pro

Film school graduate. Late-diagnosed autistic. Physical media addict.

Favorite films

  • Searching for Bobby Fischer
  • L.A. Confidential
  • Spider-Man: Into the Spider-Verse
  • Star Wars: The Last Jedi

Recent activity

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  • Eraserhead

    ★½

  • Road House

    ★★

  • Alien: Romulus

    ★★★

  • To Catch a Killer

    ★★★

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  • The Final Girls

    The Final Girls

    ★★★★★

    Todd Schlauss-Schulson’s The Final Girls (heretofore referred to as Girls) is a film filled with boobie traps. Taking on a spoof of slasher films years after Scream and Cabin in the Woods already landed their knock-out blows is a bold move. Even as trope heavy as the horror genre is (The Final Girl being one of its most dominant), finding a path that isn’t worn three feet into the dirt seems near impossible in the age of hyper aware Film…

  • Wounds

    Wounds

    ★★★★

    If you wanted to manufacture the personification of tall, dark, and handsome in a lab, the result would likely resemble Armie Hammer. He's so infuriatingly good-looking, even his voice is handsome, and that doesn’t even make sense (but it totally makes perfect sense). So, his casting as Will, the "man’s man" at the center of Babak Anvari’s new film, Wounds, could not have been more spot-on. A proud Tulane drop-out, Will makes his bones bartending at Rosie’s, a New Orleans…

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  • Eraserhead

    Eraserhead

    ★½

    Nope. Not for me.

  • Road House

    Road House

    ★★

    Thought for a second I might like this one.

    Great set-up of Ole Jake as a scary yet somehow goofy motherfucker who can whoop ass without being discourteous. When the first fight ends with him hauling a car full of busted-up bikers to the hospital - even going so far as to call out an upcoming bump in the road - I thought Doug Liman might thread the needle here.

    But the rest of the movie gets far too serious,…

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  • Melancholia

    Melancholia

    ★★★★★

    One of the greatest depictions of depression I've ever seen. Equally important for how it illustrates how we react, often dismissively, to the mentally ill. Kirsten Dunst is so damn good in this. I can't imagine another day going by where I don't think about this film.

  • The Wailing

    The Wailing

    ★★★★

    Odd and surprising with two exquisitely edited sequences that I'll never forget. Probably too long, but most movies are. And the climax is masterful. Good shit.