Thank you for Parthenope, Paolo Sorrentino.
I wish I could watch it in 360 degrees. It's too big for the big screen. You got me completely creating a picture of Naples stuck in time, slow and fast at the same time.

Celeste Dalla Porta moves beautifully in her character, and her beauty in the attitude she gives to Parthenope. She moves, replies, challenges and allows close to her only people she finds interesting, stimulating, special and through their eyes, we…

This is a simple film and a very important one for me. Taken from the Blockbuster in my city, which I miss so much.

This movie is the victim of some atrocious injustices:

- The title translation in other languages is absolute shit, like... why the heck?
- The sad sad label people gave to it, in my humble opinion, reducing it to a typical French movie about love.

This movie taught me that everything is a bit of a…

The Substance isn't a brilliant feminist critique. The woman's body is just a sample of a phenomenon that interests everyone, not leaving behind men's bodies. We all go under the same pressure, even if, for some categories, this is more under the spotlight.

The Substance is a brilliant, gross mess, an exaggeration of the future we're slowly, or not so slowly, walking towards. Not so long ago, in a spinning class at the gym, the woman leading the class on…