"I'll show you light now. It burns bright forever. No more blue tomorrows. You’re on high now, love."
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Interstellar 2014
While a gut-wrenching odyssey and the go-to example for Nolan achieving true Nolanism, objectively a bit too much is lost to bad pacing and convolution. While there is truly a phenomenal sci-fi and space opera here, Interstellar is a monolith that stands perhaps a bit too big and takes itself a bit too seriously.
That being said, Nolan’s heartbreaking portrayal of time dilation, the dazzling visual rendering of Gargantua and Zimmer’s absolutely fucking insane score will forever be ingrained within sci-fi history beside works like 2001 and Solaris.
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All the Beauty and the Bloodshed 2022
A devastatingly beautiful marvel of documentary film that unpacks the life of one of history’s most important photographers, All the Beauty and the Bloodshed explores the cliffs edge of society and makes tangible the importance of bearing witness, personal justice and forgiveness through the eyes of Nan Goldin.
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Anora 2024
A sobering and cathartic portrait of fairytales in relation to the American dream, Baker’s Anora rejects the nihilistic and Sisyphean approach most screenwriters would embrace for something deeply and profoundly human.
“Anora Mikheyova?
Ani, it's Ani.
It says Anora.
I know. But I go by Ani, thank you!”
Ani is a young stripper in Brighton Beach, a Russian-speaking neighborhood in Brooklyn. She works seven nights a week at a local strip club when she meets Ivan,…Translated from by -
The Substance 2024
Shocked to announce I passed out from this movie ahhhhhahaa. Hate needles. Really fucking genius.
Coralie Fargeat came on the track mad, and I mean pissed as fuck. A love letter to film as an art form yet a threat to the industry which has framed women as expendable. Referenced your favorite male directors and then shit on their best work: Kubrick, Cronenberg, De Palma, Tarantino, and Aronofsky.
Where most body horror is purely sadistic, Fargeat approached the genre with…
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