Felt like Aardman was able to keep quite a bit of integrity while being produced by Netflix, which is something they struggled with with their last feature.
I absolutely adore the lighting choices in some scenes, especially with the binary code projections and how they designed evil Norbot with those dishplate sized pupils.
It was very similar to it's original with feathers in a way that made it seem like history was repeating itself but on a larger scale which…