coupedruler

coupedruler

Favorite films

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  • Mickey 17

    ★★½

  • Flow

    ★★★★

  • The Master of Disguise

    ★★½

  • Police Story

    ★★★★

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  • Mickey 17

    Mickey 17

    ★★½

    Bong Joon Ho is always silly. In his best work (Parasite, The Host) slapstick is a device that makes the runtime fun and the social commentary accessible. It really is a superpower, as a filmmaker with ideas, to be able to always offer your audience the certainty that they’re getting something out of a scene. And nothing is as fun when watching a movie as laughing. But in this movie, silliness tends to crowd out the dramatic stakes and work against…

  • Flow

    Flow

    ★★★★

    A churning, mellifluous, light-drenched paean to the microscopic suffering that adds up to nature’s beauty. An exquisitely cared-for biophilic saga that liberates story itself from human hands. A smooth digital imagination of life’s essential drama: wanting and struggling and surviving. Where the humans went is not the point; the point is that we are there, on the boat, guarding our essences against one another and keeping out of the flood. Special shoutout to the profoundly cool scene depicting the cat’s…

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  • Big Shark

    Big Shark

    Tommy Wiseau plays the role of a drunk scrotum in this production, which is a movie the way that an upturned jigsaw puzzle is a painting. Outside the theater’s walls, the audience has time for academic questions like whether Wiseau intended to make something formally worse than The Room for laughs. In the seat, you have no time for such questions; Big Shark has more than enough dizzying suckshit to go around. Judging by the timbre of the misogyny alone, it’s hard to argue Tommy didn’t try at least a little bit.

  • Barbie

    Barbie

    ★★★★½

    This movie was more than just the most transcendent brand activation of our young decade. It was the moment Millennials decisively seized the means of culture. 

    Barbie bursts with the urgency of fresh perspective. To have performed this well on the biggest of stages, with the highest of stakes, is a career-defining credit to Gerwig and Robbie and everyone involved.

    Tonally and formally, the movie was excellent. They found a really good level of satire and sustained it throughout: always…

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