This score is wild. Almost Rain Man-level tonal misfire.
Willem Dafoe in his sexiest role?
Editing was sometimes disjointedly abrupt/elliptical, sometimes dreamy and interesting.
I like how the story wrinkles late in the game. It's bold and I don't know if I've seen that done before. The main cop's vendetta actually becomes eclipsed by the action he takes, and redefines the story. Or at least it could have -- that thread, instead of converging with the revenge plot and…