You know how you sound, Mr. Blaine? Like a man who's trying to convince himself of something he doesn't believe in his heart.
A joy to watch again and a joy to watch Umang gasp when realising where all those lines originate.
You know how you sound, Mr. Blaine? Like a man who's trying to convince himself of something he doesn't believe in his heart.
A joy to watch again and a joy to watch Umang gasp when realising where all those lines originate.
Really weird that they're showing this first in the double billing of it and Casablanca we've gone to.
This is somehow worse. Part 1 at least has virtue of a self-assuredly straightforward story that can get a move on. Part 2 is insanely belaboured as if explaining the concept of "subverting tropes" to a dull-witted 15 year old - which may be true of Villeneuve's burgeoning new fanbase. Structured as follows: two side characters exposit a plot point obscenely clearly, Paul has a vision that restates the same thing metaphorically to add some psuedo-depth, Paul restates it to…
I personally befriended the entire cast except that pervert Sulli.