None of my favorite movies are ironic unfortunately. They changed me as a child
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Attack on Titan: THE LAST ATTACK 2024
It feels surreal to say goodbye to Attack on Titan, a series that has been a constant in my life for as long as I can remember. Watching this final film felt like closing a chapter not just for the characters but for myself as well. I grew up with them—waiting for new episodes, theorizing over every cliffhanger, and sticking with it through every studio switch. And now, after years of build-up, every piece of foreshadowing, every symbol, and every…
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Nosferatu 2024
Nosferatu was visually stunning but narratively malnourished. The cinematography was gorgeous—light and dark scenes were like paintings come to life. The costume and set design were chef’s kiss. But most of the cast felt like placeholders; swap them out with randoms, and I wouldn’t bat an eye.
Count Orlok, though, was perfectly unsettling, so props there. That said, backstories and flashbacks were subpar. The movie did little to explain the town and its people. You could sum up the whole…
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The Crow 1994
The Crow (1994): Peak goth angst wrapped in a script so thin you could see through it. Plot? Never explained. Characters? Brain cells were scarce, except for the Sargent and Myca, who stole the show with her outfits. It’s all vibes, no substance—yet somehow, I still liked loved it. Would I recommend it? Absolutely not. It’s like a broody fever dream you have to stumble into on your own. Sometimes you need that out of a movie. 3 stars for the unintentional comedy and the aesthetic alone.
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