Really took me by surprise how much I loved this. Been listening to Bogdanovich talk about movies for years but hadn’t yet seen anything of his. Being his first film, I’m curious how much of what I saw in this, stylistically, will transfer over to his other films.
The film follows two seemingly unrelated arcs that converge for a very bleak and prescient conclusion. Based loosely off of a shooting at the university of Texas in 1966, I don’t think…