Chalamet and Barbaro are great but it feels ultimately just like a collection of songwriting moments and both real and fictional events strung together (Dylan never played Blowin in the Wind at Newport in 64) with a feather of a plot.
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Signs 2002
I have probably seen this film at least fifty times. Probably my second fav Shyamalan behind Unbreakable
The world is potentially ending outside but instead we focus on a family broken by grief with great performances across the board (even though there’s some stock standard flat as fuck Shyamalan dialogue) even with the two young kids
James Newton Howard’s score is awesome tooTop tier jump scare with the kids party footage
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No One Will Save You 2023
Tension filled, almost bereft of dialogue and has aliens doing YMCA among other bonkers things
Kaitlyn Dever holds the movie almost single-handedly
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