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The Brown Bunny 2003
The Brown Bunny is a controversial movie, in no small part because of its filmmaker, the outspoken Vincent Gallo. It was controversial immediately on release, but it has slowly been undergoing a positive reevaluation. The film is a languidly paced road movie about a motorcycle racer who spends most of the runtime driving around in a van, visiting rundown towns, sharing unusual encounters with women, and being haunted by a mysterious past. Taken on its premise, the film might be…
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Mr. Freedom 1968
A proto-Team America farce/satire with a Zucker brothers-type use of visual gags. It’s politically charged, furiously funny, and very short on subtext. Only text here. Uncomfortably close to home in some moments, this nevertheless was a good time.
I can’t believe the amount of notable actors that were in this thing: Delphine Seyrig from Jeanne Dielman, Philippe Noiret from Cinema Paradiso, a cameo from Serge Gainsbourg, and DONALD PLEASANCE?!
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The Gym Girl 2024
DIRECTOR’S STATEMENT: On the heels of Hoodie’s completion and festival run, I was looking to do a new kind of project. Hoodies was a tightly scripted farcical genre piece. I wanted my next movie to be loose and down-to-earth.
I entered into this project with a story about subject matter that appealed to me - and still appeals to me: seeking connection. What is it like to long for someone who’s unattainable? How strongly can connections be forged through mere forces…
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Oppenheimer 2023
This review may contain spoilers. I can handle the truth.
Christopher Nolan is a contradictory filmmaker. While he pushes for high-caliber IMAX film for its high quality and aesthetic purposes, he spends a significant chunk of it less so on spectacle and more so on characters talking. When his films are not presenting images that induce mystery and wonder, he is also undercutting them with needless explanation and exposition. He can be adept at crafting immersive experiences, yet he can also make you feel detached with his procedural coldness. In…
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