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The Third Man 1949
This review may contain spoilers. I can handle the truth.
FMS-0010-02
The Third Man follows rather conventional editing techniques. It applies the best form of editing, which is one that you cannot see or easily notice once put in front of you. This is needed because of its complex and audience-demanding storyline, which is one that requires continuity and simple straightforwardness, as it is a movie about uncovering a mystery, to be more specific, the murder of Harry Lime, played by Orson Welles. Editing wise, there is one sequence that…
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Double Indemnity 1944
This review may contain spoilers. I can handle the truth.
FMS - 0010 - 02
With Billy Wilder at the realm, many things can be expected. However, showy and kinetic camera movement are not among them. In classic Wilder fashion, Double Indemnity follows a scriptwriters method of filmmaking in which he lets the actors deliver their lines, and use the camera in a way in which it accentuates what the actors are performing. Any movement the camera does, which is usually either a zoom-in or a pan, are implemented to…
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