diego poloni

diego poloni Pro

Favorite films

  • Tokyo Eyes
  • La Jetée
  • Crash
  • Ghost in the Shell

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  • Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

    ★★★★★

  • HyperNormalisation

    ★★★★

  • News from Home

    ★★★★½

  • Blow Up My Town

    ★★★★

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  • O Fantasma

    O Fantasma

    eroticism as the brink of the abyss. the abyss as the foundation of the possible. uncontrollable ecstasy as a questioning of everything possible. demolishing urge of rupture and letting go looking forward to death. desire reduces us to pulp. extreme seductiveness is at the bound of horror — take beauty, leave it rendered lifeless and perverted.

  • In the Mood for Love

    In the Mood for Love

    ★★★★½

    eros as ephemerality, incandescence, an ever out of reach satisfaction entrained to repetition compulsion, simulation, performance, cloning, replicability — cinema is erotics and erotics is technology!

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  • Nosferatu

    Nosferatu

    desire as an inhuman force intimately entangled with death itself. i feel you, queen.

  • The Blackout

    The Blackout

    ★★★★½

    we stand before the light and our true nature is revealed: self-revelation is annihilation of self.

    –taylor, l. (as conklin, k.), the addiction (ferrara, a. 1995).

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  • From Beyond

    From Beyond

    stop fluoridation! i want cosmic horniness and metaphysical bdsm now!

  • The Substance

    The Substance

    yes, i though a lot about cronenberg while watching this (and all of the latest "fresh new take on body horror").

    _
    that dialogue in crimes of the future:

    cope — i heard it was a good show. very disturbing. multiple ears.
    saul — it was ok, if you like escapist propaganda.

    _
    but mostly that one in videodrome:

    masha — videodrome. what you see on that show, it's for real. it's not acting. it's snuff tv.
    max — i…