DilaraGurcu

DilaraGurcu

Favorite films

Don’t forget to select your favorite films!

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  • Girls of the Night

    ★★★★★

  • Les Indésirables

    ★★★★★

  • Priscilla

    ★★★★½

  • Kinds of Kindness

    ★★★★★

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  • Girls of the Night

    Girls of the Night

    ★★★★★

    I accidentally stumbled upon this film on Filmo and had no idea that Kinuyo Tanaka is the second woman to ever direct a film in Japan!

    When watching films even from early 2000's sometimes you feel like it's too old, this film is not one of those!

    The film is a political response to anti-sex-work law that passed on 1956 and how this impacts the life of sex-workers after their work has been criminalized. It doesn't take a side but…

  • Les Indésirables

    Les Indésirables

    ★★★★★

    After Les Misérables, with Bâtiment 5, Ladj Ly continues to show the reality of living in underdeveloped Parisian banlieues as immigrants.

    I absolutely loved the cinematography, acting, and the story; however, it’s not as raw and tense as his first film. It’s still a must-watch

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  • The Substance

    The Substance

    ★★★★★

    There’s a saying in Turkish, “feeling as if you’ve been beaten up” - that’s exactly how I left the experience of seeing it in a movie theater. It’s raw, graphic, violent, and SO real! Coralie Fargeat says she made a film about her experience of turning 40 as a woman in Hollywood and I believe the film is not violent enough to portray it. Jameela Jamil talks a lot about this a lot on her podcast, the obligation of women…

  • Priscilla

    Priscilla

    ★★★★½

    It's important to tell stories of the legends from the perspective of their partners. This film shows shows how Elvis groomed Priscilla from age 14, how he caged her and turned her into the traditional, homemaking wife he wanted her to be. The story is based on Priscilla Presley’s self-written memoir. None of this perspective was stressed on the overrated Oscar-nominated film: Elvis.

    I’m so glad Sofia Coppola directed this movie; she’s done such a delicate job on maneuvering a dual perspective and portraying layers of a codependent relationship.

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