Donnie Smith

Donnie Smith Pro

Hate the cinephile, love the cinema

Favorites are my top four first watches from last year.

Favorite films

  • Die Nibelungen: Kriemhild's Revenge
  • American Movie
  • Dark Waters
  • The Chase

Recent activity

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  • Manhandled

    ★★★★

  • Greed

    ★★★

  • The Saga of Gösta Berling

    ★★★

  • Klaus

    ★★★

Recent reviews

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  • Manhandled

    Manhandled

    ★★★★

    Gloria Swanson, decked out in dark lipstick and a flapper bob, chain-chewing gum, works as a salesgirl in a department store. We see what it’s like for her to live in a man’s world—the small indignities of a subway ride, for example, where men’s hands are all over her. She’s physically very funny in these moments. Even with her effortless cool, she is intimidated by the society people at a party she attends. She ditches her gum when someone tells…

  • Greed

    Greed

    ★★★

    I powered through a public domain, somewhat poor-quality version of the 2ish hour cut with no music, untinted on YouTube. This might be the first feature length silent film I’ve watched in literal silence, but every version I found had horrendous, completely unsynched music playing under it. Maybe I should've waited until I found a better print or read the book, but I got greedy.

    The movie starts with a guy pushing carts in a gold mine. He is gentle…

Popular reviews

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  • I'm Thinking of Ending Things

    I'm Thinking of Ending Things

    ★★★½

    my forehead hurts.
    I think my eyes understood this movie, I think my soul might’ve even been able to follow it, but my brain is completely lost.

  • Everything Everywhere All at Once

    Everything Everywhere All at Once

    ★★½

    Very clearly the product of two people who love animation (as confirmed by the Daniels’ appearance on The Movies that Made Me podcast), but unlike the great works of that medium, which, though often marketed to children, still take their audience seriously enough to speak to them as if they were intelligent, serious beings, this movie addresses its adult audience with the kind of repetitiveness and obviousness often reserved for conversations with children. The ambitions of its premise are weighed…