I took a day to process the film before leaving a review, and though I know there is so much left to analyse, I thought I’d share what I’ve able to concretise so far as well as the elements that struck me most.
One of the film’s central ideas is that Dieyi does not simply play the concubine in Farewell My Concubine—he is the concubine. His inability to separate his role on stage from his real life is not just…