The fact that it took her 12 business days to realise she could have just said 'hey, Siri' to the camera is disturbing

So so beautifully dark, and the sound design and score. Need Nosferatu to play in the background of a full orchestra because the drama was emphasised. Romanticism and the Gothic, I had no chance.

All of these women’s experiences are valid. However in D Smith’s doc, it felt like there was no direction, and seemed very chaotic. The music in the background was a choice that was jarring and distracting. Something serious was slapped with stock comedy music and I couldn’t immerse myself fully in the message.

Temporally, the way the narrative bounced around was confusing to follow but, at the same time, I think that conveys Tessa's essence as being quite fragmented. Her mother brings her into a life where she no longer exists but the door is open for her to accept the her death and move on but she can't. Tessa becomes one of the trinkets. I enjoyed like the theatrical design too, it emphasised the mother's mental state.