Slightly weaker compared to the previous entries in the “saga”, yet enjoyable and at times moving. A true comfort movie.

A low-budget post-apocalyptic film by Ferreri that combines archival footage, props from other films (including the red gun from "Dillinger is Dead"), and 20th-century mass-produced goods. Fascinating but a bit weak.

Todd Philips' 'Joker: Folie à Deux' is a pointless sequel, a quasi-musical with few songs, few emotions and no surprises. Among the worst films of this festival.

An irritating sequence of technical, formal and aesthetic virtuosities makes the film resemble a video essay (in the few best parts) and an Adobe tutorial (in the many worst ones). Poor Norma, poor Marilyn.