I happened to walk to Lisbon Cinemateca this morning and was delighted to see a season dedicated to Terence Davies and that they were showing this film tonight. A blind spot that I had tried to futilely fill a few months ago.
There are so many links in this film to Long Day Closes, from the framing, the lighting (Michael Coulter hive) and the mother-son relationship. Davies truly understands that memory might be subjective self-centering but that is beautiful. Anyway, I…