this is ranked 2nd of my favourite homoerotic “men & the sea” movies
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Contempt 1963
Le Mépris felt a bit pretentious and inconsistent. the characters themselves were unlikeable, insufferable even. bardot and palance seemed uninterested at best. it felt overly sexualised and the true focus of the film felt lost. visually, godard synthesised long shots, experimentation with colour palettes, the italian backdrop and cutting which i feel stylistically pioneered french new wave and art house films - which is a common detail amongst most of his filmography. he was able to capture the tensions of…
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The Worst Person in the World 2021
i think its ok to make mistakes. i think its okay to long for what was. i think its ok to not feel happy when you should be on paper. i think its all going to be ok. i think that's what i took from this film.
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