insufferable yapper
robert smith from the cure (real)
why are u wearing that stupid man suit?
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Masculin Féminin 1966
a collage of contradictions, a manifesto disguised as a romance. godard’s lens captures the restless pulse of youth political yet indifferent, passionate yet passive, longing yet lost. words clash like revolutionaries in a café, ideology and desire locked in an endless waltz. between cigarette smoke and pop melodies, the film questions not just what it means to be young, but what it means to think, to love, conversations that go nowhere, ideals that burn bright only to fizzle into disillusionment, to exist in a world that constantly redefines itself
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Blue Velvet 1986
the saccharine daylight of picket fence normalcy set against the abyssal underbelly of lust and sadism. jeffreys descent into the clandestine world of dorothy is voyeuristic fascination and existential peril, his own morality contorted by the enigmatic pull of depravity. i loved this smmm
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Haru 1996
two strangers, drawn together by a shared language of cinema, exchange words on a screen. no faces, no voices, just fragments of thoughts sent into the digital space, hoping to be found.
the story unfolds with the melancholy of a conversation that never quite materializes into something tangible. how much of ourselves seeps into written words? how much do we imagine of the other, how much do we project? as the narrative progresses, the line between the virtual and the real grows hazier. what begins as a playful exchange of film opinions slowly transforms into something more fragileTranslated from by