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Cloud Reel 2024
The primary proactive interferent for today's structural filmmaker is the fact that film has died. Long live film. But what we talk about when we talk about film is the spirit of film. And that has remained fundamental. Above being the archetypal pretentious hipster's favorite dogwhistle, film is like the Christian name for the moving image, baptized by the church of preserved light. Miraculous. We are not bastards even if we want to be. It was always film.
The impurities…
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Hours for Jerome 1982
Dorsky-Hiler, Beavers-Markopoulos, ...Where are the lesbian power couples of lyric cinema? Find me a dyke whose muse can complement the cute nonchalance of apple orchard dream boy. ⚢
...to create a film form which, in itself, has all the qualities of being human...
Gorgeous. But I would not ever want to call a person gorgeous. OK: This movie is pictorially pleasing, a true looker alright. But eulogizing is reductive, like a pale belle painted on a wall. If we can…
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Gammelion 1968
The return. An ascetic experience. Lonely like a saunter who holds many great spaces within himself. Each black is a breath of fresh air. Break. Breaking the image. Fades which built us vision eventually become the force by which our view is destroyed. So long I've sought.
The sense of the montage is arbitrated by commanding us an appreciation for movement. And movement may mean absence. Giving and taking. It generates a rudimentary flipbook illusion and yet it knows. Knowing…
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