i’m just weighing now two movies I’d put in conversation by Dutchies - this and Verhoeven’s Elle —which Nicole allegedly turned down the lead role in because she felt it was misogynistic — idk where i’m going with that (actually I do, Reijn let that man out cunt her) but in a perfect world i’d get to ask Nicole Kidman more about point A to point Babygirl
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American Fiction 2023
lots of balls in the air that more or less work all together when tallied up, but the core of this distilled, or what I hoped it could’ve been, is the conversation between him and Issa’s character
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Smooth Talk 1985
so many people are complaining about the fact that it spends most of the time following connie just living her life, being a teenage girl experiencing common problems and...why? that seems like the entire point? that one day you’re living, a normal teen girl trying to find your footing and then a psychopath you unintentionally cross paths with can decide to change that. maybe it’s because people are so used to the grisly borderline exploitative true crime stories these days where victims are simply a footnote totally eviscerated of context as real people with real lives before coming across the wrongest stranger idk. really effective movie
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