Jeff Broitman

Jeff Broitman

Favorite films

  • Being John Malkovich
  • Eyes Wide Shut
  • The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!?
  • Twin Peaks: The Return

Recent activity

All
  • Mickey 17

    ★★★½

  • Spies Like Us

    ★½

  • Skidoo

    ★★★½

  • Twin Peaks: Fire Walk with Me

    ★★★★½

Recent reviews

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  • Mickey 17

    Mickey 17

    ★★★½

    Mickey 17 is an overstuffed but very entertaining sci-fi parable of exploitation from Oscar-winner Bong Joon Ho, and it is the highly-anticipated follow-up to the brilliant Parasite. The film is brash, with its big-budget setpieces and effects-heavy camerawork, some fascinating world-building, and a wonderfully twisted premise.
    Mickey is a small-time loser who gets in debt to a cartoon villain loan shark with a penchant for murdering his debtors and filming the torture. To escape, he impulsively joins a group of…

  • Spies Like Us

    Spies Like Us

    ★½

    Spies Like Us, an ostensible comedy, wasn't too funny in its initial release context, and to watch it today is to marvel at the ephemeral nature of humor--the film has aged badly and hits differently in 2025. Directed by John Landis and cowritten by co-star Dan Aykroyd, it should have been funnier. Let's be honest--it should have been funny at all. I only laughed weakly twice. Aykroyd & John Belushi had palpable onscreen chemistry and a sharper satirical eye in The…

Popular reviews

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  • Nowhere Boy

    Nowhere Boy

    ★★★½

    I am the perfect audience member for this film. A lifelong Beatles fan, I have spent years absorbing trivia and minutiae, reading biographies and critical analysis, and love anything about the Fab Four with a purely subjective bias. So I was sucked into the story of Nowhere Boy, the slightly dramatized biopic of John Lennon's adolescent and teen years, from 1955 to about 60, although the bulk of the plot takes place in the short window of time during which…

  • Chinatown

    Chinatown

    ★★★★★

    In the 40 years since it was released, Chinatown has become a part of the cinematic pantheon, and deservedly so. The film earns my respect and admiration because it is so layered and fraught with meaning and interpretation, so expertly executed without drawing attention to its artistry, and works as both an artistic statement and entertainment.
    Rare is a film so rich with interpretation that watching it multiple times allows its brilliance to be fully understood, for every scene, almost…