Made up of four short stories. One, a lonely hooker can't stop crying whenever she has sex with her clients. She approaches a shrink and ends up stalking him. Two, a long suffering wife and the mistress of her husband bonds. Three, a weird tale of a lesbian avenging her comatose twin sister by killing her unfaithful boyfriend. And lastly, a woman one day suddenly decides that she had enough of her failing marriage and desperately seeks a reinvention of her life.
Si mian xia wa, 四面夏娃
Hong Kong Hong Kong 
白金龍：⭐️⭐️⭐️ (「老婆仔」Tone 金雞前身)
食風贊嬌：⭐️⭐️ (欣賞概念 + Wyman, Dis音樂狂Loop)
無相無色：⭐️⭐️⭐️⭐️½ ❤️ (好完整好好睇啊..🥺)
愛情遊戲：⭐️⭐️⭐️½ (Ending Shot is beautiful)
四條短片 前衞到宜家都覺得好前衞..
修復得好靚 只係執唔到電視Effect
BUT SO RAW IN A VERY GOOD WAY
無相無色 鍾意到我呢🤤 出自阿葛手筆💯
鏡頭 Effect 剪接好L有想法 三姑又演得精彩
蘭茜 邱淑貞 夏萍 菲傭全部Insert 好L正
淨係一個望蘭茜嘅POV 已經好悲喜交集
不過都係覺得「紙牌人」可以唔使咁揭曉
本身細心留意應該就見到 (似冇成本搵替身)
原來同《甜蜜蜜》同年
老公鄧麗君 老婆也鄧麗君
Man導：乜冇End Roller？
林狗：(壓低聲音) 冇錢整.. 我第一次睇，完全無印象..
(今日真實對答)
so this is a film made up of 4 segments (all starring HK heavyweight sandra ng, hence the title) which isn't something i really gravitate towards, and i didn't even know about going into this, so i was a bit bummed when it switched up. (because the first ones so damn good!!)
but!! as someone who loveees frenetic, floaty camera (usually asian) cinema like this.. i have to admit that one of the main downfalls for going that route, is that it's pretty easy to lose steam when relying so heavily on style. you either sprint all the way truh to the finish line or you come in trying your best to not show just how out of breath you…
eric kot blows smoke on baby
sandra顛峰， 短髮十分之型， dei先鋒， 再次感慨香港唔會有人咁樣拍嘢， 呢喃核。。不顧後果， 軟硬係十分出色； 最中意無相無色， 硬派， 動人； 贊嬌都好爆， 泰臣同呀輝咁， 戲劇本質， 可惜karen有d放不開， wyman永遠唔會令人失望；金毛mao d鏡頭同讀白都好正，lovesick, 泳池嗰咋好似"藍"咁； 愛到要死。。煮面， 遊戲節目去講呢啲， 超強反差， 個impact仲大。。 想有高清修復版。。
"物件係無常，可以毀滅，但事件係恆久，唔可以毀滅，有發生過，即係有。。"
個人排名：無色無相>愛到要死>白金毛>食風贊嬌
(估唔到鍾意果2套都係出自阿葛手筆！)
由opening credit已經忍唔住想講：好重商台味呀！
同埋就算去到而家相隔廿幾年睇返
果陣實驗味對觀眾都係唔易頂
不過依套自資轉型作又真係幾影響到三姑往後既演員路
四套短片都睇到後來某d角色既原型係入面
修復方面顏色同聲執得唔錯
不過可能個master copy問題
有幾段都係花花地 (唔係講無色無相呀，果d電視紋我知係effect黎)
軟硬 has talent in film
Four Faces is a hallucinogenic fever dream that left me feeling downright gross. It’s an art film, packed with surrealism, nauseating artsy camerawork, and a whole lot of ugliness. A Sandra Ng Kwan-yue vehicle, the film is comprised of four short stories injected with an overdose of music-video-style visuals and shrooms fueled filmmaking choices.
The first segment, Mao, is the least offensive of the bunch—visually striking, but ultimately empty. Ng plays a prostitute who dreams of a Pretty Woman fairytale, but her Prince Charming turns out to be gay. Not much happens other than back and forward whining between the two.
Then there’s Moving in the Wind, which, quite frankly, felt like if Gummo and Mad Magazine had a deranged…
An abrasive, maddening, occasionally confounding release of Hong Kong anxiety at the cusp of the '97 Handover, explicitly mentioned in dialogue and ferociously exorcised in the second segment, which portrays the incoming mainlanders as a bunch of karaoke-singing buffoons who—in an outlandish touch owing something to Claude Faraldo's Themroc—only speak in unintelligible gibberish. Not for all tastes, needless to say, but this anthology film (co-directed by then up-and-comers Eric Kot, Jan Lamb, and Kam Kwok-Leung and photographed by the always-capable Chris Doyle) has an undeniable energy that also serves as a showcase for the versatile talents of Sandra Ng; playing the lead in every episode, Ng is captivating even when the film is at its most exhausting, and she's ably…
first story was the strongest visually, but overall not too much to write home about other than the occasional laugh from eric kot. the title cards were solid and the last shot of the movie was great. just overall a little hard to follow and even more messy than first love: the litter on the breeze. this also made me appreciate first love way more because there was clear improvement made. it almost felt like as if eric had just let all the ideas that he made a supercut of in the prologue of first love just play out fully with no explanation.
