German Expressionism. Grandfather paradox. Multiple personality disorder. Homosexual orientation. Child sexual abuse. Substance abuse. Butterfly effect. And finally, the ever interesting Bhagavad Gita.
Just read those terms. Seem like they are subjects of a very ambitious filmmaker who wants them to be a part of his script but not daring (or should I say, intending?) to explore any one of them fully. But if that happened? Awe! would never be ambitious. It would have been just... logical. Or a film based on a screenplay which staunchly believed in a particular logic or theory.
Okay, German expressionism is a filmmaking aspect here. But the rest find their way into the storytelling through various subplots that merge into one at the end.…