Synopsis
Our past is always present
An investigation into one woman’s memory as she‘s forced to re-examine her first sexual relationship and the stories we tell ourselves in order to survive.
An investigation into one woman’s memory as she‘s forced to re-examine her first sexual relationship and the stories we tell ourselves in order to survive.
Laura Dern Isabelle Nélisse Elizabeth Debicki Jason Ritter Frances Conroy John Heard Jodi Long Laura Allen Matthew Rauch Common Ellen Burstyn Jessica Sarah Flaum Juli Erickson Dana Healey Aaron Williamson Shay Lee Abeson Isabella Amara Daniel Berson Chelsea Alden Ricki Bhullar Jenson Cheng Madara Jayasena Emily Sandifer Tina Parker Scott Takeda Noah Lomax Grant James Madison David Tarek Bishara Show All…
Lawrence Inglee Simone Pero Oren Moverman Sol Bondy Laura Rister Mynette Louie Jamila Wenske Jennifer Fox Reka Posta Lynda Weinman Derek Nguyen Stefanie Diaz Will Raynor Wendy Sax Regina K. Scully Marc Almon Lorna M. Auerbach
Wendy Ettinger Julie Parker Benello Ali Jazayeri Abigail Disney Amy Rodrigue Ross Marroso Ben McConley Geralyn White Dreyfous Dan Cogan Robert Fox Penny Fox Jayme Lemons Jason Van Eman David van Eman Steven H. Cohen Patty Quillin
Kelly D. Mills Dustin Blankenship Colby Giovacchini Justin Barnette Nicholas Warren Lopez Patricia Sullivan
Rainer Heesch Corinna Fleig Gregor Bonse Macaulay Flint Gerald Beg Forrest Brakeman Peter Klinkenberg Thorsten Minning
WeatherVane Productions Blackbird Films One Two Films A Luminous Mind Production Untitled Entertainment Gamechanger Films ZDF ARTE (DE)
Разказът, 더 테일, Le passé recomposé, Рассказ, 이야기, Приказката, Öykü, הסיפור, Příběh, A történet, 信笺故事, Opowieść, O Conto, El Cuento, The Tale - Die Erinnerung, Stāsts, Príbeh, Povestea, The Tale : le conte, ジェニーの記憶, 女孩回憶錄, Pasaka, Оповідання
“i find that i trust him so much, i never realize where he's leading me”
horrific, but demands to be seen. the only comfort here is that it’s skillfully told by a woman from her own experience and on her own terms. and in her own words. and now more than ever, it’s the time to listen
"The body remembers everything, it really does."
heartbreaking but necessary. i wish i had an ounce of jennifer fox's courage.
“There are no bad horses, only bad riders.” There are any number of unnerving moments in Jennifer Fox’s “The Tale,” a landmark cine-memoir that’s as powerful and profoundly upsetting as any film since “The Act of Killing,” but they all seem to hatch from that tainted pearl of wisdom, passed down from a beautiful riding instructor to her naïve tween student before things go terribly wrong. It’s a coded message from an adult woman to a young girl, a pointed insistence that life is hard for the fairer sex, and that pain is just something they all push through. It’s a sinister ethos that makes victims feel ashamed of the violence they’ve suffered, and inspires them to refashion their worst…
the worst part is that it took jennifer so long to even realize what had happened to her.
a short, brave, important film that made my heart race and palms sweat even though i knew, and have felt, what was coming.
like jennifer, i didn't think it was was it actually was at first, unlike jennifer i was 21. like jennifer, i initially believed i was enjoying it, unlike jennifer it was oral, not vaginal. like jennifer, it took someone else opening my eyes to realize it was rape, unlike jennifer it didn't take decades for me to realize it.
from false memories, coercion, assault, confronting it head-on, to documenting it -- jennifer fox is one brave and wonderful woman.
i feel heartbroken for the both of us, but devastated for her.
"I was so little."
An astounding demonstration of how time alters our view of the past. This is not a film about great revelations; Jennifer's mother makes it clear early on that she believes her daughter was abused. Jennifer feels otherwise, and insists that nobody understands her situation, but she soon realizes that the truth she's internalized was one created as a means of survival. While many viewers will struggle with the formal elements here, I was blown away by the use of fantasy to speak to a larger truth. Jennifer speaks directly to her younger self and to the younger versions of her abusers, interrogating and praising them as she sifts through her fragmented memories. It's a process of…
"I was younger than I thought of myself to be."
TW: Sexual abuse
I'm having trouble breathing as I type this, and my hands are still shaking a little bit. I feel sick watching it and my eyes water every few moments no matter how many times I wipe the tears away. It's too close to what happened and it hurts deeply to think about, even more than when watching Mysterious Skin.
In my review for Mysterious Skin back in November, I talked about being molested when I was around five years old (I can't remember exactly what age I was but it was give or take a year, five) and how I didn't know that this happened to me…
Ummmmmmmmmm
1. WOW
2. This made me feel sick
3. Loved the ending
4. WOW
Curled underneath the warm sands are the stowed away expressions of previous hours, ghosts enveloped in dust and temporal movement — a peculiar aching. Bodies fuse with the color of the grain, planting their feet firmly as either a symbol of repression, or the loosening of restraints. But the call of the birds, the smell of salt and the summers so far from familiarity are easily erasable, like chalk marks on a blackboard. And watching us from the waves, so very distant, swim children afraid to return to the shore, for fear of being swept in too far; for fear of remembering that the cold embrace of the sea is still an embrace, though an embrace of abuse & abrasion.
The director's own struggle to come to terms with her own childhood sexual abuse is the driving force behind this quiet yet compelling and disturbing drama. Jennifer Fox achieves this with an emotional intensity that approaches catharsis. The film's hushed atmosphere and spare score do a fantastic job of highlighting its psychological aspects. She also makes extensive use of her documentary background to enhance the film's realism.
Like the film itself, Laura Dern's performance is largely understated, but she manages to portray the complex range of feelings that consume her character. Nielssen is also fantastic in the role of young Fox; she perfectly conveys Fox's vulnerability and distress. Debicki does a good job, considering how little screen time she has,…
80
It's hard to sort through Jennifer Fox's harrowing film at first, and not only because of the personal-account subject matter. The Tale, as a stream of memory corrected and shaped into experience, is frequently halted by inconsistent performances (Common, in particular, doesn't leave the intended impression) and an uneasy sense of the craft, with a few remarkable transitions (an image of snow bridging the present and the past gave me chills) highlighting her potential amidst a flustered, disjointed narrative. Then again, this isn't a normal narrative, but her life, and with that, it seems logical that creating this work had its own hardships and turmoils, as was the process of coming to terms with her abuse. The Tale can't…
I really liked complex narrative; the way memories are shown and how they're mixed with the present, how the movie and more precisely Jennifer Fox is honest and fearless to its audience, and also Laura Dern is amazing as always and it's probably her very best performance.
This review may contain spoilers. I can handle the truth.
The first time her memory gets corrected and we see what she actually looked like that summer was a fucking gut-punch.