WE LIVE IN TIME is a beautiful, heartbreaking, and moving tale about life. John Crowley’s film became easily my favorite of the year. I cried (no surprise there!), smiled, laughed, felt all emotions deeply and profoundly. Garfield and Pugh’s chemistry is felt through the big screen; they work perfectly well together to the point I wished the film was longer and had additional screen-time marveling at their love. Words simply cannot elucidate how much this film means to me as a whole. Grief is life-changing, losing a loved one will wound you forever, but we keep living. If not for us, for them.
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Moana 2 2024
I cannot stress what an unnecessary sequel this is. Not only did it feel rushed but also suffers from glaring inconsistencies between scenes. The abrupt shifts suggest it was originally conceived as a television show rather than a full-length film. Disney should seriously reconsider its obsession with sequels. Only positive thing I can say is I loved the songs.
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Sleeping Beauty 1959
How fitting that the very first rewatch and log on my new and pristine account is Sleeping Beauty. Ever since I was a child, everything, absolutely everything had to have Princess Aurora's face stamped on it. ( School bags, lunch boxes, book stickers, dolls, etc ). As an adult, the animation has a profound appreciation from me, not only is it visually stunning—it makes me consistently mourn the loss of hand-drawn motion-pictures. It is truly a tragedy for Disney—it feels infinitely…
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