Baz Luhrmann’s exuberant, hagiographic pop opera is colorful, adoring, and built around a superb performance by Austin Butler.
Using rhythmic editing, dynamic montages, split-screens (some recalling memorable sequences from 1970’s ELVIS: THAT’S THE WAY IT IS), and expressive manipulations of the soundtrack, Luhrmann manages to create an impressively immersive experience. But strangely, as glittering and sensual as much of the film is, it never quite reaches the swooning, ecstatic heights of some of the director’s earlier successes like MOULIN ROUGE.…