Towards reckless cinematic orgasms.
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Breakfast at Tiffany's 1961
Idk, the climax was so contrived and superficial. Cut the climax alone, brilliant portrayal of humankind’s fragility. Copete’s side if things were exceptional.
The worst thing a screenwriter could write is line saying “People belong to each other because that’s the only real happiness.” The best line that a screenwriter could write is “You're wrong. She is a phony. But on the other hand you're right. She isn't a phony because she's a real phony. She believes all this crap she believes. You can't talk her out of it." It has both.
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All We Imagine as Light 2024
I saw the film for first time, did not work. So i thought a second time would be different because i terribly wanted to be wrong about it, but no. I literally borrowed some money even though i was going through month end shit broke situation just so i could catch it in a bigger screen too and over-explaining all this because I just want to you know that I put in effort.
When everyone is talking about mass masala…
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Devi 1960
In hindsight, this is a great companion piece to Thaniyavarthanam. Simplest explanation for belief becoming into reality is the amount of faith kept in it. If Lohithadas explored the inherent ability of faith to make oneself believe that madness is hereditary, Ray explores the coincidences that are comfortably renamed as miracles by the same faith. Again, both brilliant in their own way.
The texture of the film is a character on its own, and of course the last 10 mins is what they call pure madness of cinema.
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