Duarte Cabral

Duarte Cabral Patron

Favorite films

  • sex, lies, and videotape
  • The Doom Generation
  • Crash
  • Perfect Blue

Recent activity

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  • Lost Highway

    ★★★★½

  • Black Bag

  • Mickey 17

  • Flow

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  • Mickey 17

    Mickey 17

    Love all the biopolitics in this, how it treats the human body as an ontological whole together with its outside system, a simultaneous producer, product and testing ground for authoritarian capitalism. Big fan of what Pattinson does here with his voice, a rightful successor to Tom Hardy's throne as king of weird voices, and his whole physical performance as well is nothing short of extraordinary. That's mostly the first half of it and it's great, and then you get to…

  • A Different Man

    A Different Man

    Man, how everything just rhymes with this one. It starts in a very simple manner, layered staging of actors and sounds back-dropped by this New York you can both see and feel as a constant stage of characters and pre-recorded noise, and the tale of a man trying to earn his living while battling his crippling insecurities regarding his facial deformities. And then it just swerves into this sort of surreal black comedy of affects and cursed desires. What struck…

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  • Lost Highway

    Lost Highway

    ★★★★½

    That camcorder tape of the murder might just be the nastiest thing Lynch has ever done. His nu-metal movie (complimentary). Can't believe I thought this was the most "okay" of his works, I need two baths after this.

  • Flow

    Flow

    Probably the closest we'll get to a Fumito Ueda movie, and I say this as the highest of compliments. So much infered storytelling, every frame ripe with texture, emotion, everything. Love how much mileage it gets out of each animal character, striking a really neat balance between naturalistic behaviors (cat scratches wood, dog plays fetch, etc) and the more obvious plot-pushing action/reaction moments. Went in thinking I would like it and I left loving it. A total antidote to the standard run-of-the-mill brainrot-coded animation flooding our theatres today. Glad it won the Oscar, especially knowing this was made by such a small team.

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  • Annette

    Annette

    I really can't recall the last time I saw a film this actively antagonizing, where every itty bitty decision feels put together with a combination of an ironic smirk and a protruding middle finger, both pointed straight at the audience. Even all the way through to the marketing and the trailers, Annette is possibly the biggest rug pull of Carax's career -- and that is saying something. Apart from the opening scene, this really isn't the quirky Sparks musical I…

  • Challengers

    Challengers

    ★★★★★

    This review may contain spoilers. I can handle the truth.