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Maniac 1980
Stands out for its psychological depth and realism. William Lustig flips the genre by making the killer, played masterfully by Joe Spinell, the protagonist, humanizing him rather than turning him into a robotic, emotionless force like Michael Myers. Spinell’s portrayal of a grieving, unstable murderer adds unsettling realism, while Tom Savini’s groundbreaking practical effects, particularly the scalpings, heighten the film’s visceral horror. Echoing Norman Bates’ duality, the film captures the killer’s transformation from seemingly harmless to mercilessly deranged.
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Saturday Night 2024
It had the energy of an Aaron Sorkin movie, with long takes, quick dialogue, and seamless character entrances and exits that captured the show’s chaotic rhythm. The recurring "Lorne, is this a good time?" bit was a fun touch, and Gabriel LaBelle perfectly balanced young Lorne Michaels’ early confidence with his inexperience.
The movie was engaging and thoroughly researched, though its character development wasn’t sharp enough to draw in viewers unfamiliar with the show. It might come off as a bit self-indulgent, but the attention to detail makes it clear how much this show means to people.Translated from by
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Hacking at Leaves 2024
Hacking at Leaves offers a compelling look into the interplay of the US' colonial legacy, Navajo history, and hacker culture, skillfully directed by Johannes Grenzfurthner. Through the story of a Colorado tinker space aiding COVID relief, it combines historical depth with technological activism, featuring engaging performances, notably by Max Grodénchik and Morningstar Angeline.
The documentary presents a multifaceted discussion, enriched by diverse interviews that highlight the systemic challenges faced by the Navajo Nation against the backdrop of community-driven technological solutions.…
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Solaris 1972
Solaris is a meditative sci-fi masterpiece exploring memory, grief, and human consciousness. Psychologist Kris Kelvin arrives at a space station orbiting Solaris, where the crew is haunted by manifestations from their subconscious, including his deceased wife, Hari. Tarkovsky’s dreamlike visuals and slow pacing shift the focus from space exploration to the complexities of identity, reality, and emotion, making Solaris a deeply philosophical and haunting cinematic experience.
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