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Scream 1996
From the opening scene, Craven pushes his deep affection for the horror genre solidly into the realm of camp. The characterization and pacing of the film are even more deftly referential of the slasher form than similar but more explicit attempts in the sequels (particularly in Scream 3). This is one of those touchstone films where the director's thoughtfulness and mastery are felt in his every decision and especially in the quiet moments where 'nothing is happening.' The scene outside…
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