harrison mcilwaine

harrison mcilwaine

Favorite films

  • Inglourious Basterds
  • Shutter Island
  • Whiplash
  • About Time

Recent activity

All
  • A Real Pain

    ★½

  • The Brutalist

    ★★★★

  • A Complete Unknown

    ★★★½

  • Companion

    ★★

Recent reviews

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  • A Real Pain

    A Real Pain

    ★½

    It baffles me that Eisenberg would write & direct a film in which he typecasts himself.

    I found A Real Pain absolutely neurotic, & criminally boring. Culkin will make you squirm as he forces you to recollect awkward social interactions you’ve spectated, which I suppose, is a credit to him.

    A film so dialogue-laden needed to elicit more of an emotional response I think. I needed to feel more. Instead, I found the writing relatively uninspired, & the plot predictable. Predictability is not always…

  • The Brutalist

    The Brutalist

    ★★★★

    What struck me most upon watching The Brutalist was just how visually stunning this film is. DP Lol Crawley finds beauty in otherwise banal stills, & masterfully allows these establishing shots to wash over his audience. The granite mine in Italy is a perfect example of this.

    As Laszlo Toth, Adrian Brody is predictably excellent. The man conveys meaning & emotion through facial expression better than most — though I was admittedly gutted to learn his Hungarian accent is enhanced by AI. He…

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  • Challengers

    Challengers

    ½

    I had put off joining letterboxd for a culmination of 2 reasons —

    1) I feared I would want to undertake the lengthy task of ranking every film I’d ever seen, &,

    2) I believed (& this may still be correct) that no one would care about what I had to say 

    “Challengers” was a raging dumpster fire of such gluttonous proportion that I was compelled to download this app & log & review my first film.

    The film is messy, inauthentic…

  • Anora

    Anora

    ★★★★½

    I loved Anora.

    Sean Baker’s gripping tale of whirlwind marriage between a sex worker & wealthy, albeit immature, Russian heir, is loaded with rich meanings.

    The film is a powerful examination of gendered power dynamics & a damning criticism of the link between greed and ownership. It is a reminder of one of life’s omnipresent truths: the rich do not care about us.

    Technically, the film is exceptional. Baker’s ability to seamlessly shift moods and tempos is masterful, as are almost all of…

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