Even with more dramatic fare, Cronenberg’s fascination shines through. I can see why the story of people who’s lives are inscribed onto their skin was appealing as the intersection of flesh and identity is his thing
Threatens to be more generic than it is but the forever cold and analytical approach of Cronenberg shines through in a slightly standard crime film. Has a bit more heart and empathy than his other works too
The bathhouse scene is easily the standout…
Why are both of these movies set on earth in the present day? Who would want that? Was it cheaper? Why would you do that? Nothing else in the setting does that. Why? Were they getting pushback from the gaffers union? Why is it so dark? Were people watching the dailies? Could they see the dailies? Was it some kind of scheme to bypass studio interference because it was too dark? Why is this movie so dark? Why is it edited that way?
I mean this movie sucks but I like how weird and sinister it was
Just a real wet mean movie
Really came around on the structure on this one towards the end. Creates a weird sense of ever present evil that wouldn’t be as strong in a typical narrative
Good horror picture
Incredibly upsetting last shot
