“This happens. This is something that happens.”
With Magnolia, Paul Thomas Anderson — through sheer confidence as a filmmaker and surely at least a bump here and there — bridges a gap between intimate, unabashed vulnerability and sprawling, rapid-fire-gut-punching bravado.
And I don’t mean that it’s impressive that I was able to be so emotionally attached to all of the characters despite the constantly shifting stories. It is impressive, obviously, but Magnolia’s direct inspiration, and one of my all time favorites,…