Steven Robeson

Steven Robeson

Favorite films

  • The Platform
  • Toast
  • Lemonade Mouth
  • Vinland Saga

Recent activity

All
  • The Wild Robot

    ★★★★½

  • Beetlejuice Beetlejuice

    ★★★★★

  • The Grinch

    ★★★★½

  • Wicked

    ★★★★

Recent reviews

More
  • The Wild Robot

    The Wild Robot

    ★★★★½

    Wanted to take my mother to see this for their birthday, did NOT realize how fitting that would've ended up being lol.

    Let me get the cons out of the way first cuz there are not many and this film is incredible. Fast pace which isn't bad but leaves a lot of development left unattended to, the ultimate antagonist that changed Roz's life came last second rather quick and left rather quick, and meta-wise speaking what was the point of…

  • Beetlejuice Beetlejuice

    Beetlejuice Beetlejuice

    ★★★★★

    I barely remember anything from BeetleJuice 1, but this film I'm certain this film blew it out of the water. Not much to say about this either. Just incredible and hilarious and smart comedy, many different types of it, scattered everywhere beginning to end. Slapstick, subtle, casual, lowbrow, riffing, bits, skits, improv, costume, meta, dark, over-the-top. subversive, musical, spoof; you name it for lack of better phrase. Willem DaFoe is a treasure so them as Wolf, Bob and the gang,…

Popular reviews

More
  • The Shawshank Redemption

    The Shawshank Redemption

    ★★½

    Absolutely undeserving of it's moniker as the greatest/one of the greatest films ever made. Absolutely not, no sir. It's a shallow, surface-level telling of Andy serving time in jail and him playing the system and nothing more. Andy was acted PHENOMENALLY though, played by Tim Robbins, absolutely scene-stealing, that charming and child-like smile, too bad he's apparently not a good dude IRL. I cannot get over how much people praise and will die-for and nag and harass others over this…

  • No Country for Old Men

    No Country for Old Men

    ★★★★

    another very deep film that requires rewatches; a lot of things here that are FAR past what appears to be surface-level. For example, if you pay close enough attention to details, you realize Anton isn't real, but a stand-in for death; the earlier scene with flipping a coin wholly symbolic for how and when death takes or doesn't discriminate. The film's theme of trying to display a lot of the evil and worst traits in humanity, a lot of it…