Watching this film felt like, as Erzsebet called it, "renovating a kitchen": extremely excited about the design and the potential in the first half; hating everyone and wondering why you even started in the second
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Saturday Night 2024
It's remarkable just how "70s" a cast of millennials and Gen Zs look. Sennot is magnetic in this, and I simply love a long take to build tension... (Birdman, The Bear, 1917)
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