by the beach at sunset
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#Alive 2020
One of the film’s standout features is its use of color. The cinematography leans into a cool-toned palette that enhances the eerie loneliness of Joon-woo’s isolation, while strategic bursts of warm lighting add emotional weight to key moments. The contrast between the bright, neon-lit city and the dark, chaotic streets filled with infected adds to the visual appeal, making every frame feel dynamic and engaging.
Beyond its aesthetic, #Alive is an effective thriller that balances suspense with emotional depth.
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Sidelined: The QB and Me 2024
A lots of cringe moments, many instants when I paused to take a deep breathe the one star is for dallas’s brother I think
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My Fault: London 2025
I apologise for criticising before watching. This film was way better than the original, it was so much less cringe, more communication between the characters yeah it was great
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Waves 2019
Waves is a tidal force, pulling you under with its raw intensity and refusing to let you surface unchanged. It’s not just a film—it’s a heartbeat, a symphony of love, loss, and the fragile threads that hold families together.
The vibrant colors and hypnotic camerawork immerse you in the highs of young love and the devastating descent into tragedy. Every frame pulsates with emotion, every song cuts deeper, every silence is deafening.
What makes Waves truly soul-crushing, though,…
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