What a boring slog...so disappointing after the masterpiece that is Rosemary's Baby.
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After Hours 1985
I do love ultra stylized upper-middle-class workplaces and apartments. Especially alongside equally stylized arty downtown lofts and fluorescent-lit diners.
My overall conclusion is that there's not enough substance to justify how aggressively pre-woke this movie is, though I guess that's par for the course with Scorsese.
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