MRGA (Make Rome Great Again)
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I'm Still Here 2024
More often than not, we praise actors for doing the most acting rather than the best acting, overlooking moments when they choose to internalize their emotions and express little externally. It is through this restrained performance that Fernanda Torres delivered one of the most resilient, dignified, and heartbreaking female characters seen on screen this year. The film as a whole also embraces this art of subtraction, using ensemble staging over close-ups, match cuts instead of flashy montages, handheld shots only…
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The Brutalist 2024
Part 1: this is the most visually, acoustically stunning piece of cinema I’ve seen this year
Part 2: is it just me or is the plot disintegrating?
Epilogue: definitely bad and unnecessaryThe runtime is not the problem. The problem is how reductive the story is. The characters behave like stereotypical Zionists / callous rich people / underappreciated genius. What’s new here? Structurally speaking, why place the central conflict so close to the ending? Where is the secondary plot with…
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Last Summer 2023
Dance of tenderness and cruelty.
I love the long, bold close-ups on those who are vulnerable, deceived, or losing control in moments of conflict. It's not about the fear of falling, but the irresistible temptation to fall.From Q&A with Catherine Breillat @ Lincoln Center:
1. Breillat thinks of herself as a conductor of flesh. She wants the actors to move in the most believable way possible, from slowing down Léa Drucker’s speech and movements to the meticulous choreography of…Translated from by