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  • We'll Go Down in History

    ★★★★

  • Wait, Wait, Now!

    ★★★

  • NGGAK!!!

    ★★½

  • If I Make It to the Morning

    ★★★★

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  • Mommy

    Mommy

    ★★★★★

    Last year's "Tom at the Farm" looked very much like an in-between film for Xavier Dolan; small in scale and lacking the faces familiar from his previous work (excepting the director himself), it appears that it served as a nice change of pace following the epic (and no doubt exhausting) masterpiece "Laurence Anyways", allowing Dolan to catch his breath a little before taking on the colossal "Mommy". As with "Laurence", "Mommy" is, in the best possible way, a draining experience,…

  • Have You Seen My Movie?

    Have You Seen My Movie?

    ★★★★½

    Whilst watching Have You Seen My Movie?, it was impossible to shake off one particular, nagging question: how the hell did they clear all the copyrights for this? Presumably, like Godard's Histoire(s) du Cinema, it invokes some sort of fair use/quotation-style policy, else it would involve an insurmountable pile of legal work. It can also be assumed that, as with Los Angeles Plays Itself, a commercial release will not be possible, thus placing this in the LFF's Experimenta strand --…

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  • Black Fruit

    Black Fruit

    ★★★

    Schwarze Früchte—which centres on Lalo and Karla, two black twentysomethings in Hamburg—gets off to a strong start, but its back half is horribly uneven; the low point comes in the form of the fifth episode, which is more or less a chamber piece, one in which the players aren't given much of interest to work with. With better writing, this stark change of pace might have worked, but instead it highlights how the show thrives when it's out on the…

  • Heightened Scrutiny

    Heightened Scrutiny

    ★★½

    This ripped-from-the-headlines documentary follows personable ACLU attorney Chase Strangio as he limbers up to argue a landmark case before the US Supreme Court, challenging Tennessee's ban on gender-affirming healthcare for transgender minors. Sam Feder highlights a worrying trend of how some respected mainstream media outlets have contributed to a cultural climate that has normalised discriminatory laws; this most compelling aspect of the film highlights the role of journalism in moulding public perception and discourse. The film's attempt to pack so…

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  • Funeral Parade of Roses

    Funeral Parade of Roses

    ★½

    With its surprisingly frank depiction of gay subculture in 60s Japan, Matsumoto's slice of experimenta may be light years ahead of its time, but is sadly quite an ordeal to sit through. Stylistically, there's quite a lot to like here, but there's no real narrative cohesion, so it's a tough film to engage with. About half an hour from the end there's one of the least convincing knife murders ever committed to celluloid, which livens things up with some fine,…

  • Red Rooms

    Red Rooms

    ★★★★★

    With its firm emphasis on the aftermath of violence, Pascal Plante's highly implicit film has, on the face of it, little for gorehounds to sink their teeth into, yet its non-transgressive appearance should fool no one: the black-hearted "Red Rooms" is strong meat, and a difficult film to shake off. It is anchored by a terrifically unnerving performance from Juliette Gariépy, who stars as Kelly-Anne, a successful model obsessed with the trial of Ludovic Chevalier (Maxwell McCabe-Lokos), who is charged…