point 1: academic disappointment and some neonazi pussy is enough to turn a man into a ruthless cold blooded gypsy killing machine
point 2: if you actually kill the gypsies instead of just beating them up at football games and try to start a racial revolution the skinheads will ironically turn against you (including the aforementioned neonazi pussy)
point 3: police bad
i love serbia
“Barbie was woke!”
“Barbie wasn’t woke enough!”
“Barbie was pro-patriarchy!”
“Barbie was anti patriarchy!”
“Barbie was anti-feminist!”
“Barbie was actually about—“
you are adults searching for political validation in a 2 hour long advertisement for Mattel products
it was fun and it doesn't need to be anything more
an accurate portrayal of one's leap into alienation and living in a solipsistic nightmare that rapidly becomes feverishly pressuring until a moment of violent breakdown and rejection of nihilistic worldviews and inertia for the acceptance of hope. Queysanne heavily criticizes the youth's choice of indifference and inaction as a form of rebellion, which is inherently futile. At some point of this "feat" one will feel successful, happy to have rejected following the herd's paths and will take pleasure in hating…
My current view on the best angle to review Trainspotting is a very direct comparison to Requiem for a Dream we got from Aronofsky 5 years later, so I'll do that. The theme explored and quite literally the events of these movies are incredibly similar. A few key differences make one better than the other. Trainspotting tells the story of 4 heroin junkie friends, their downs and lows and the absolutely terrible reality of heroin addiction. However, it does show…
