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Aha Naa Pellanta! 1987
Rajendra Prasad ties himself into a newspaper seeing Kota, but instead his father shows up there only to find him wrapped in newspaper hitting stones to make fire, breaking him into tears. It is such a sad and heartbreaking moment for that father who raised his son in money, but also the most hilarious thing in that movie’s context! It was “dank” when it wasn’t even a thing! Still gives me the most guilty laughter watching that scene! One of…
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Krishnam Vande Jagadgurum 2012
This is the better version of Khaleja in my opinion. But still not the best you can do with the concept “Daivam Maanushya Rupena” which means “God in Human Form”. Krish manages to blend mythology, realism of 21st century with good action, a fitting protagonist with excellent casting, a fitting female lead with an actual purpose (unlike Anushka in Khaleja), some decent humour from Posani, Raghu Babu and Rajesh. But the real saving merit for this film goes to Mani…
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Ala Vaikunthapurramuloo 2020
The amount of balls it takes for someone to write a story that glorifies blood lineage, certain superiority of an individual through his genes is massive.
Aakella Naga Srinivas Sarma a.k.a Trivikram through his Brahmin lineage has proved his moral and intellectual superiority complex through this film.
Akkineni Naga Sushanth's character a.k.a "Raj", despite named and raised to be a great businessman like his father, never reaches those expectations because he was born to a loser, cheater, low-life scum like…
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Ayyappanum Koshiyum 2020
I think this movie portrays how fragile “Male Ego” is better than any other movie ever made. The story and screenplay are incredibly written with no flaws in pacing. Majority of the film relies on subtle performances and grounded fights and they made sure it delivers. The fights are incredibly choreographed and performances by Mr. Sukumaran and Mr. Menon are amazing. The grey zone in the characters is so grey, the film constantly keeps us hooked to both of them…
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