Given Sing Sing’s synopsis, I initially expected more plotting and tidier loose ends. Yet the beauty of Greg Kwedar’s and Clint Bentley’s screenplay lies in its minimalism.
The movie touches on the justice system, friendship, and the transformative power of art. But the film’s core journey is more internal than external, more existential than political. It’s about incarcerated men finding peace and humanity with themselves. We see characters who initially appear intimidating tranform into softer, more vulnerable individuals. The transformation…
