"6 volte 21 fa 126"
This film marks the conclusion of Stefano Sollima’s trilogy on crime in Rome, which began with ACAB and continued with Suburra, a film I highly recommend. That being said, each installment is crafted to stand alone, allowing viewers to experience them independently rather than as a cohesive narrative.
As with Sollima’s previous works, Adagio unfolds at a deliberately slow pace, a quality reflected in its very title. Silence is a defining element throughout the film,…
+Beans!
The Immigrant stands as one of Charlie Chaplin’s final short films before his transition into legendary feature-length cinema.
While it does touch on the harsh realities faced by immigrants in early 20th-century America, its core essence is undoubtedly humor.
The restaurant scene involving the hat was the most memorable for me, as was the clever final plot twist that adds a touch of narrative wit.
Madre de Dios, p*to Aronofsky, ya intentó hacerme llorar con Black Swan(2010) y ahora con esta casi lo consigue el muy perro, si Brendan Fraser no gana el Oscar este mundo no tiene sentido.
Me flipa que no haya ningún personaje blanco o negro, realmente son todos grises, hasta el p*to pizzero macho.
Ahh y se ha hablado mucho de Brendan Fraser pero Sadie Sink se marca un papelón tmb.
